{"id":329,"date":"2022-03-13T00:34:25","date_gmt":"2022-03-13T00:34:25","guid":{"rendered":"https:\/\/carmojr.com\/palavracantada\/?page_id=329"},"modified":"2025-01-22T16:25:47","modified_gmt":"2025-01-22T16:25:47","slug":"literatura","status":"publish","type":"page","link":"https:\/\/carmojr.com\/palavracantada\/glossario\/literatura\/","title":{"rendered":"Literatura"},"content":{"rendered":"<p>REFER\u00caNCIAS BIBLIOGR\u00c1FICAS<\/p>\n<ul>\n<li>Abaurre, M. B. (1996) Acento frasal e processos fonol\u00f3gicos segmentais. Letras de Hoje, n.31 (2), p. 41-50. <span style=\"font-weight: 400;\">Dispon\u00edvel em: https:\/\/revistaseletronicas.pucrs.br\/ojs\/index.php\/fale\/article\/view\/15591. Acesso em: 15 abr. 2020<\/span><\/li>\n<li>Absoulah, E.F. (1997), Resolu\u00e7\u00e3o de choques de acento no portugu\u00eas do Brasil. Disserta\u00e7\u00e3o de Mestrado. Campinas: UNICAMP.<\/li>\n<li>Bas, J. (1972) Tratado de la Forma Musical. Buenos Aires, Ricordi. 6a ed.<\/li>\n<li>Bisol, L. (1993) S\u00e2ndi voc\u00e1lico externo. <em>Gram\u00e1tica do portugu\u00eas falado<\/em>, Campinas: Editora da UNICAMP, vol.2, p. 21-38.<\/li>\n<li>Bisol, Leda (2001) (org.)\u00a0<em>Introdu\u00e7\u00e3o a estudos de fonologia do portugu\u00eas brasileiro<\/em>. Porto Alegre: EDIPUCRS.<\/li>\n<li><span style=\"font-weight: 400;\">Bisol, L. (2002) S\u00e2ndi externo: o processo e a varia\u00e7\u00e3o. <\/span><i><span style=\"font-weight: 400;\">In<\/span><\/i><span style=\"font-weight: 400;\">: KATO, M. A. (Org.) <\/span><em>Gram\u00e1tica do portugu\u00eas falado<\/em><span style=\"font-weight: 400;\">, Campinas: Ed. da UNICAMP, 2002. p. 53-97.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Bolinger, D. (1989) <\/span><em>Intonation and its Uses: <\/em><span style=\"font-weight: 400;\"><em>Melody in Grammar and Discourse<\/em>. Stanford, CA: Stanford University Press.\u00a0<\/span><\/li>\n<li>Blache, Ph (2000) Constraints, Linguistic Theories, and Natural Language Processing. Natural Language Processing, vol 1835, p. 221-232. Springer Berlin\/Heidelberg.<\/li>\n<li>C\u00e2mara Jr, J.M. (1969) Problemas de lingu\u00edstica descritiva, Petr\u00f3polis: Vozes.<\/li>\n<li>Carmo Jr (2007) Melodia &amp; Pros\u00f3dia: um modelo para a interface m\u00fasica-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais. Tese de doutorado, S\u00e3o Paulo: FFLCH\/USP.<\/li>\n<li>Collischonn, G. (2001) &#8220;A s\u00edlaba em portugu\u00eas&#8221;. In: Bisol, L. (org.) <em>Introdu\u00e7\u00e3o a estudos da fonologia do portugu\u00eas brasileiro<\/em>, Porto Alegre: EDIPUCRS, p. 91-123.<\/li>\n<li>Dietrich, P. (2008) semi\u00f3tica do discurso musical: uma discuss\u00e3o a partir das can\u00e7\u00f5es de Chico Buarque. Tese de doutorado, S\u00e3o Paulo: FFLCH\/USP.<\/li>\n<li>Fitch, T. &#8220;Production of Vocalizations in Mammals&#8221;. In: Brown, K (Ed.) <em>Encyclopedia of Languageand Linguistics<\/em>. Cambridge:Elsevier, p. 115-121.<\/li>\n<li>Gilbers, D &amp; Schreuder, M.J. (2002) Language and music in Optimality Theory. From Rutgers Optimality Archive (http:\/\/roa.rutgers.edu), ROA # 517-0103.<\/li>\n<li><span style=\"font-weight: 400;\">Goldsmith, J. (1976) <\/span><em>Autosegmental Phonology<\/em><span style=\"font-weight: 400;\"><em>.<\/em> Tese de doutorado. Cambridge: MIT Press.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Hartong, J. L. (2007) <\/span><em>Musical Terms Worldwide: A Companion for the Musical Explorer<\/em><span style=\"font-weight: 400;\">, The Hague: <\/span><span style=\"font-weight: 400;\">Semar Publishers<\/span><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li>Hayes, B. (1989) \u201cThe prosodic hierarchy in meter\u201d. In: Kiparsky, P. e Youmans, G. (eds.), Phonetis and phonlogy, Rhythm and meter. Orlando: Academic Press, p. 201-260.<\/li>\n<li>Hayes, B. &amp; Kaun, A.(1996) \u201cThe role of phonological phrasing in sung and chanted verse\u201d. In: The Linguistic Review 13:243-303.<\/li>\n<li>Hayes, B. &amp; MacEachern, M. (1996) \u201cAre there lines in folk poetry?\u201d, In:UCLA Working Papers in Phonology 1:125-142.<\/li>\n<li>Hjelmslev, L. (1975) Proleg\u00f4menos a uma teoria da linguagem. S\u00e3o Paulo: Perspectiva.<\/li>\n<li>Ito, J. (1986) <em>Syllable Theory in Prosodic Phonology<\/em>. University of Massachussetts (PhD Thesis).<\/li>\n<li>Jakobson, R. (1985) Ling\u00fc\u00edstica e comunica\u00e7\u00e3o, S\u00e3o Paulo: Cultrix.<\/li>\n<li>Katz, J. (s.d.) Optimal grouping [dispon\u00edvel em <a href=\"http:\/\/web.mit.edu\/jikatz\/www\/OptimalGrouping.pdf\">http:\/\/web.mit.edu\/jikatz\/www\/OptimalGrouping.pdf<\/a> ]<\/li>\n<li>Kats &amp; Pesetsky (2009) The Identity Thesis for Language and Music. [dispon\u00edvel em <a href=\"http:\/\/ling.auf.net\/lingBuzz\/000959\">http:\/\/ ling.auf.net\/lingBuzz\/000959<\/a><\/li>\n<li>Kofka, W. (1975) Princ\u00edpios da Psicologia da Gestalt. S\u00e3o Paulo: Cultrix.<\/li>\n<li>Massini-Cagliari, G. (2008) Das cad\u00eancias musicais para o ritmo ling\u00fc\u00edstico: uma an\u00e1lise do ritmo ling\u00fc\u00edstico do portugu\u00eas arcaico, a partir da nota\u00e7\u00e3o musical das Cantigas de Santa Maria. Revista da ABRALIN, v. 7, p. 9-26.<\/li>\n<li>Massini-Cagliari, G. (2009). A nota\u00e7\u00e3o musical como fonte para o estudo do ritmo ling\u00fc\u00edstico no per\u00edodo trovadoresco do portugu\u00eas: as cantigas de amor de D. Dinis. In: Massini-Cagliari, Gladis; Muniz, M\u00e1rcio Ricardo Coelho; Sodr\u00e9, Paulo Roberto (orgs.). (Org.). S\u00e9rie Estudos Medievais 2, Fontes.1 ed. Araraquara: GT de Estudos Medievais da Anpoll, v. 1, p. 63-79.<\/li>\n<li>Mateus, Maria Helena Mira\u00a0(2005) &#8220;<a href=\"http:\/\/www.iltec.pt\/pt\/handler.php?action=artigos&amp;book=116\">Estudando a melodia da fala &#8211; tra\u00e7os pros\u00f3dicos e constituintes pros\u00f3dicos<\/a>&#8220;.Palavras &#8211; Revista da Associa\u00e7\u00e3o de Professores de Portugu\u00eas, n.\u00ba 28, 79-98. &lt;http:\/\/www.iltec.pt\/pdf\/wpapers\/2004-mhmateus-prosodia.pdf&gt;.<\/li>\n<li>Nespor &amp; Vogel (1986) Prosodic Phonology. Dordrecht: Foris Publications.<\/li>\n<li><span style=\"font-weight: 400;\">Pierrehumbert, J. (1980) <\/span><em>The phonology and phonetics of English intonation<\/em><span style=\"font-weight: 400;\"> &#8211; <\/span><span style=\"font-weight: 400;\">Tese de doutorado, Massachusetts, Massachusetts Institute of Technology.<\/span><\/li>\n<li>Santos, R. S. (2002) Categorias sint\u00e1ticas vazias e retra\u00e7\u00e3o de acento em Portugu\u00eas Brasileiro.Delta, n. 18 (1), p. 67-86.<\/li>\n<li>Schoenberg (1996:59) Fundamentos da composi\u00e7\u00e3o musical. S\u00e3o paulo:EDUSP.<\/li>\n<li>Selkirk, E. (1984) Phonology and syntax: the relation between sound and structure. Cambridge: MIT Press.<\/li>\n<li>Steriade, D. (1995), &#8220;Underspecification and markedness&#8221;. In: Goldsmith, J. (org.)\u00a0<em>The Handbook of Phonological Theory<\/em>, Oxford: Blackwell, pp.\u00a0114\u2013174.<\/li>\n<li>Tatit, L. (1995). Valores Inscritos na Can\u00e7\u00e3o Popular.\u00a0<i>Revista M\u00fasica<\/i>,\u00a0<i>6<\/i>(1-2), 190-202. https:\/\/doi.org\/10.11606\/rm.v6i1\/2.59125<\/li>\n<li>Tatit, L. (2002) O cancionista. S\u00e3o Paulo: AnnaBlume.<\/li>\n<li>Tenani, L.E. (2002) Dom\u00ednios pros\u00f3dicos no portugu\u00eas do Brasil: implica\u00e7\u00f5es para a pros\u00f3dia e para a aplica\u00e7\u00e3o de processos fonol\u00f3gicos. Tese de doutorado, Campinas: UNICAMP.<\/li>\n<li>Zilberberg, C., \u00a01990, \u201cRelativit\u00e9 du rythme\u201d. \u00a0Prot\u00e9e \u2013Th\u00e9ories et Pratiques \u00a0S\u00e9miotiques. D\u00e9partement des Artset Lettres de l\u2019Universit\u00e9 du Quebec \u00e0 Chincontimi, Vol.18, 1, 37-46.<\/li>\n<li><span style=\"font-weight: 400;\">Waugh, Linda Ruth (1980). <\/span><em>The melody of language<span style=\"font-weight: 400;\">:<\/span> <span style=\"font-weight: 400;\">intonation and prosody<\/span><\/em><b>.<\/b><span style=\"font-weight: 400;\"> Baltimore: University Park Press.<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>REFER\u00caNCIAS BIBLIOGR\u00c1FICAS Abaurre, M. B. (1996) Acento frasal e processos fonol\u00f3gicos segmentais. Letras de Hoje, n.31 (2), p. 41-50. Dispon\u00edvel em: https:\/\/revistaseletronicas.pucrs.br\/ojs\/index.php\/fale\/article\/view\/15591. Acesso em: 15 abr. 2020 Absoulah, E.F. (1997), Resolu\u00e7\u00e3o de choques de acento no portugu\u00eas do Brasil. Disserta\u00e7\u00e3o de Mestrado. Campinas: UNICAMP. Bas, J. (1972) Tratado de la Forma Musical. Buenos Aires, Ricordi. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":331,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-329","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/pages\/329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":9,"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/pages\/329\/revisions"}],"predecessor-version":[{"id":1871,"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/pages\/329\/revisions\/1871"}],"up":[{"embeddable":true,"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/pages\/331"}],"wp:attachment":[{"href":"https:\/\/carmojr.com\/palavracantada\/wp-json\/wp\/v2\/media?parent=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}